Anyone can act
Theatre of the Oppressed is a participatory methodology that supports community engagement by bringing together rural communities, facilitators, theatre professionals, and local stakeholders. It strengthens the identification of social challenges, dialogue, collective reflection, and active participation through real-life scenarios and Forum Theatre. By enabling communities to discuss problems, test alternative solutions, and explore strategies for change, the approach supports more inclusive decision-making, addresses gender and social barriers, and improves community participation in rural development initiatives.
This technology is pre-validated.
| Target Groups | Positive Impacts |
|---|---|
| Women in rural communities |
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| Youth and young community members |
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| Marginalized and disadvantaged community members |
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| Rural communities and community stakeholders |
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Persistent gender and social barriers: Restrictive social norms, discrimination, and unequal roles can limit women’s participation, access to opportunities, and ability to contribute to community development.
Limited spaces for dialogue and collective problem-solving: Conventional awareness and engagement approaches may provide insufficient opportunities for communities to discuss social challenges, test alternative solutions, and collectively explore strategies for change.
Limited community voice in development initiatives: Weak mechanisms for community expression and interaction can constrain the ability of public institutions to understand local experiences and address context-specific challenges.
Low confidence and collective action: Limited self-confidence and opportunities for active participation can reduce the ability of community members to engage in collective action and advocate for their needs.
Challenges in promoting inclusive development: Social exclusion and unequal participation can make it more difficult for public institutions and development programs to design inclusive and gender-responsive interventions.
Theatre of the Oppressed is a participatory methodology that enables governments to engage rural communities in identifying social challenges, facilitating dialogue, and exploring solutions through real-life scenarios and Forum Theatre.
To integrate this methodology into public programs and community development initiatives, governments should consider the following actions and prerequisites:
Identify priority communities and social issues where women and marginalized groups face barriers related to participation, inequality, discrimination, or restrictive social norms.
Engage relevant stakeholders including rural communities, trained facilitators, theatre professionals, local institutions, and community organizations.
Conduct participatory consultations through discussions, focus groups, or community consultations to identify community issues and real-life experiences that can inform theatre scenarios.
Develop theatre scenarios with trained Theatre of the Oppressed facilitators and theatre professionals based on the experiences and concerns identified through community consultations.
Organize rehearsals and performances with community members and create opportunities for active audience participation.
Facilitate Forum Theatre sessions where community members can intervene in scenes, propose alternative actions, replace actors, and test potential solutions.
Facilitate collective reflection and dialogue to discuss the different solutions explored and their implications for the community.
Review the field demonstration video to understand how the methodology has been implemented with rural communities and how participants actively engage in Forum Theatre and collective problem-solving.
Conduct follow-up monitoring and evaluation through interviews, focus groups, or other participatory assessment methods to document changes in knowledge, attitudes, behaviors, and community engagement.
Contact the ICARDA team for guidance and support when planning to introduce, implement, or adapt the methodology within public programs.
Establish follow-up mechanisms to sustain community dialogue, participation, and collective action beyond the initial theatre activities.
Open source / open access
Scaling Readiness describes how complete a technology's development is and its ability to be scaled. It produces a score that measures a technology's readiness along two axes: the level of maturity of the idea itself, and the level to which the technology has been used so far.
Each axis goes from 0 to 9 where 9 is the “ready-to-scale” status. For each technology profile in the e-catalogs we have documented the scaling readiness status from evidence given by the technology providers. The e-catalogs only showcase technologies for which the scaling readiness score is at least 8 for maturity of the idea and 7 for the level of use.
The graph below represents visually the scaling readiness status for this technology, you can see the label of each level by hovering your mouse cursor on the number.
Read more about scaling readiness ›
Uncontrolled environment: validated
Common use by intended users, in the real world
| Maturity of the idea | Level of use | |||||||||
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| 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | ||
| Target Groups | Positive Impacts |
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| Women in rural communities |
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| Youth and young community members |
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| Marginalized and disadvantaged community members |
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| Rural communities and community stakeholders |
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| Target Groups | Unintended Impacts | Mitigation Measures |
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| Women in rural communities |
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| Youth and young community members |
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| Marginalized and disadvantaged community members |
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| Rural communities and community stakeholders |
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| Target Groups | Barriers to Adoption | Mitigation Measures |
|---|---|---|
| Women in rural communities |
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| Youth and young community members |
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| Marginalized and disadvantaged community members |
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| Rural communities and community stakeholders |
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The cost of implementing Theatre of the Oppressed mainly relates to trained facilitators, theatre professionals, scenario development, rehearsals, performances, logistics, and follow-up monitoring and evaluation. Costs vary according to the location, number of participants, duration, and scale of the intervention.
There is no standard cost publicly available for implementing the methodology. Implementation costs should therefore be determined based on the activities required, the number of communities and participants involved, and the level of facilitation and theatre expertise needed.
The methodology does not generate a direct financial return on investment. Its returns are primarily social and community-based, including increased empowerment, participation, confidence, social inclusion, dialogue, collective action, and positive changes in attitudes and behaviors.
The profile should therefore present implementation costs according to the specific intervention while documenting the social and behavioral outcomes generated, rather than assigning a single ROI value to the methodology.
| Country | Testing ongoing | Tested | Adopted |
|---|---|---|---|
| Morocco | –No ongoing testing | Tested | Adopted |
| Tunisia | –No ongoing testing | Tested | Adopted |
This technology can be used in the colored agro-ecological zones. Any zones shown in white are not suitable for this technology.
| AEZ | Subtropic - warm | Subtropic - cool | Tropic - warm | Tropic - cool |
|---|---|---|---|---|
| Arid | ||||
| Semiarid | ||||
| Subhumid | ||||
| Humid | – |
Source: HarvestChoice/IFPRI 2009
The United Nations Sustainable Development Goals that are applicable to this technology.
Theatre of the Oppressed promotes participatory and experiential learning, enabling participants to critically reflect on social issues, develop problem-solving skills, and gain knowledge through interactive dialogue and collective action.
Theatre of the Oppressed promotes participatory and experiential learning, enabling participants to critically reflect on social issues, develop problem-solving skills, and gain knowledge through interactive dialogue and collective action.
Theatre of the Oppressed helps reduce inequalities by giving voice to marginalized and underrepresented groups, promoting inclusive participation, and addressing social norms and power imbalances that contribute to exclusion.
The approach strengthens community cohesion and resilience by fostering dialogue, collective reflection, and collaborative problem-solving around locally relevant social challenges.
Theatre of the Oppressed promotes inclusive participation, dialogue, and constructive engagement among community members, encouraging peaceful conflict resolution and greater involvement in community decision-making processes.
Step 1 – Identify community issues
Identify social challenges through participatory discussions, focus groups, or community consultations.
Step 2 – Develop theatre scenarios
Develop scenarios with trained Theatre of the Oppressed facilitators and theatre professionals based on participants’ real-life experiences.
Step 3 – Rehearse the scenarios
Rehearse the scenarios with community members and prepare them for performance.
Step 4 – Perform the scenarios
Perform the scenarios before the community, presenting real-life situations related to inequality, exclusion, discrimination, or other barriers.
Step 5 – Facilitate Forum Theatre
Engage the audience in discussing the problems presented and proposing alternative solutions.
Step 6 – Intervene in the scenes
Allow participants to replace actors, introduce alternative actions, and test potential solutions directly in the performance.
Step 7 – Facilitate collective reflection
Guide participants in discussing the different solutions explored and their possible implications.
Step 8 – Monitor and evaluate changes
Conduct follow-up interviews, focus groups, or other participatory assessments to document changes in knowledge, attitudes, behaviors, and community engagement.
Last updated on Sep 14, 2026